{"id":1438,"date":"2018-01-29T18:23:57","date_gmt":"2018-01-29T17:23:57","guid":{"rendered":"https:\/\/realfabricadetapices.com\/?p=1438"},"modified":"2022-02-23T08:52:43","modified_gmt":"2022-02-23T08:52:43","slug":"la-real-fabrica-de-tapices-restaura-un-singular-conjunto-textil-del-museo-cerralbo","status":"publish","type":"post","link":"https:\/\/realfabricadetapices.com\/en\/la-real-fabrica-de-tapices-restaura-un-singular-conjunto-textil-del-museo-cerralbo\/","title":{"rendered":"La Real F\u00e1brica de Tapices restaura un singular conjunto textil del Museo Cerralbo"},"content":{"rendered":"<ul>\n<li><span style=\"color: #808080;\">El proyecto, que ha llevado dos a\u00f1os de trabajos, ha sido promovido por el Instituto del Patrimonio Cultural de Espa\u00f1a (IPCE) y ha supuesto para la Secretar\u00eda de Estado de Cultura una inversi\u00f3n de 263.296 euros.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"color: #808080;\">Con esta intervenci\u00f3n, no solo se ha garantizado la conservaci\u00f3n de un singular conjunto textil, integrado por <strong>cuatro tapices flamencos del siglo XVII y dos cortinas francesas del siglo XIX<\/strong>,\u00a0 sino que tambi\u00e9n se ha avanzado en la <strong>recuperaci\u00f3n de la disposici\u00f3n original de los ambientes del antiguo palacete<\/strong>, hoy museo, compatibilizando la conservaci\u00f3n de los ambientes con la preservaci\u00f3n de los bienes culturales que los integran.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong><u>Cortinas de la \u2018Edad de oro de la tapicer\u00eda\u2019<\/u><\/strong><\/p>\n<p>Las cortinas del Cuarto del Mirador son magn\u00edfica expresi\u00f3n de una \u00e9poca conocida como la \u201cEdad de oro de la tapicer\u00eda\u201d -tercer cuarto del siglo XIX- y el periodo del Segundo Imperio franc\u00e9s. Realizadas en los talleres de Aubusson-Felletin muestran, al igual que todas las que, en gran n\u00famero guarnecen los ventanales del palacio, el gusto burgu\u00e9s por el tapiz de colores vivos y c\u00e1lidos y complejo repertorio ornamental.<\/p>\n<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1450 size-large aligncenter\" src=\"https:\/\/realfabricadetapices.com\/wp-content\/uploads\/2022\/02\/GENERAL-FINAL-ANVERSO-2-654x1024.jpg\" alt=\"\" width=\"654\" height=\"1024\" \/><img decoding=\"async\" class=\"wp-image-1449 size-large aligncenter\" src=\"https:\/\/realfabricadetapices.com\/wp-content\/uploads\/2022\/02\/GENERAL-FINAL-ANVERSO-1-672x1024.jpg\" alt=\"\" width=\"672\" height=\"1024\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>Los tapices, ejemplos de la producci\u00f3n bruselense<\/u><\/strong><\/p>\n<p>Los cuatro tapices del Sal\u00f3n Estufa son excelentes ejemplos de la producci\u00f3n bruselense, de comienzos del siglo XVII. En concreto, el tapiz con representaci\u00f3n de La Fortuna es obra del famoso taller de Franz van den Hecke seg\u00fan cart\u00f3n de Antoine Sallaert, y el tapiz de una Batalla (seguramente Escipi\u00f3n el Africano derrota a An\u00edbal) conserva el anagrama del taller de Fran\u00e7ois Tons.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1448 size-large aligncenter\" src=\"https:\/\/realfabricadetapices.com\/wp-content\/uploads\/2022\/02\/GENERAL-FINAL-ANVERSO-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/><\/p>\n<h6 style=\"text-align: center;\">Tapiz &#8220;Escipi\u00f3n el Africano derrota a An\u00edbal&#8221;<\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1451 size-large aligncenter\" src=\"https:\/\/realfabricadetapices.com\/wp-content\/uploads\/2022\/02\/GENERAL-ANVERSO-FINAL-Baja-1024x682.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><\/p>\n<h6 style=\"text-align: center;\">Tapiz &#8220;La Fortuna&#8221;<\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1443 size-large aligncenter\" src=\"https:\/\/realfabricadetapices.com\/wp-content\/uploads\/2022\/02\/GENERAL-FINAL-ANVERSO-759-rAPTO-DE-UNA-DAMA-1024x685.jpg\" alt=\"\" width=\"1024\" height=\"685\" \/><\/p>\n<h6 style=\"text-align: center;\">Tapiz &#8220;El rapto de Helena&#8221;<\/h6>\n<h6 style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1447 size-large aligncenter\" src=\"https:\/\/realfabricadetapices.com\/wp-content\/uploads\/2022\/02\/GENERAL-PREVIA-no-1318-REVERSO-683x1024.jpg\" alt=\"\" width=\"683\" height=\"1024\" \/>Tapiz de tem\u00e1tica desconocida (\u00bfEl rey Salom\u00f3n? \u00bfLa virtud de la Fortaleza?)<\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>El proceso de restauraci\u00f3n<\/u><\/strong><\/p>\n<p>Los tapices presentaban suciedad, deshidrataci\u00f3n de fibras, manchas, zonas pintadas, deterioros estructurales y deformaciones, debidas a injertos e intervenciones antiguas.<\/p>\n<p>El proceso de restauraci\u00f3n y lavado de las piezas ha sido complejo pero ha permitido el estudio riguroso tanto de las t\u00e9cnicas de ejecuci\u00f3n como de los procesos de deterioro de los textiles.<\/p>\n<p>Especial importancia se ha concedido tambi\u00e9n al montaje de los bienes culturales en el Museo, para el que <strong>se han dise\u00f1ado y construido estructuras espec\u00edficas que garantizar\u00e1n la conservaci\u00f3n de las piezas<\/strong>, como el salvar las diferencias de dimensi\u00f3n entre ellas en el espacio que se exponen.<\/p>\n<p>&nbsp;<\/p>\n<h6>Foto: MECD<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>El proyecto, que ha llevado dos a\u00f1os de trabajos, ha sido promovido por el Instituto del Patrimonio Cultural de Espa\u00f1a (IPCE) y ha supuesto para la Secretar\u00eda de Estado de Cultura una inversi\u00f3n de 263.296 euros. &nbsp; Con esta intervenci\u00f3n, no solo se ha garantizado la conservaci\u00f3n de un singular conjunto textil, integrado por cuatro [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":1476,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93],"tags":[107,95,91,109,108],"class_list":["post-1438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-works","tag-cerralbo-museum","tag-institutional","tag-projects","tag-tapestries","tag-tapestry-restoration"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Real F\u00e1brica de Tapices restaura un singular conjunto textil del Museo Cerralbo Real F\u00e1brica de Tapices | Desde 1721<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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